In Brooklyn, the above-capacity crowd wasn't deterred by threats of rain, which held off for the length of the two-hour set. David Byrne noted that he biked to the show; he wasn't the only one, as the 'bike valet' was packed (apparently Byrne rode home too). Those who did park in the bike valet were automatically entered to win a new bike which Byrne showed off from the stage before his set. Those that couldn't get through the door caught the open-air action from video screens aimed towards the back of the crowd. Byrne's set opened, as it has all tour, with "Strange Overtones," the hypnotic single off the newest Eno/Byrne collaboration Everything That Happens Will Happen Today. The bandshell's reverberating walls were an incredibly jarring transition from punchy studio sound of the original -- as catchy as the tune is, it was kind of a strange, underwhelming start. Things only went up from there, as the band's sound melded together and its accompanying dancers boosted the visuals. Their dance moves, which traded off with the members of the band, seemed to mimic Byrne's own jerky mannerisms, as well as the themes of the songs (eg. office chair props during the wage slave anthem "Life Is Long"). Overall, the energy on stage and in the crowd was high. "Once in a Lifetime," which came near the end of the set, sent the remaining seated show-goers to their feet. One older couple, who I'm sure had to be around when Byrne hit the scene in '75, went from joking with their granddaughter about the pot smell in the air to cutting a serious rug for the set's high-density end.
The band returned for a second two-song encore that included the non-Eno song "Burning Down the House", and finally, back for a third time, closed with an acoustic-led version of "Everything That Happens." |